Congo Kitoko: Beauty and Violence
© Meredeth Turshen 3/21/2016
Kiripi Katembo, Subir (2011).
In photographs and films, Kiripi Katembo documented the daily life of the inhabitants of Kinshasa and the instability of the political and economic situation in Congo. Some of his photographs were on view in the exuberant exhibition of Congolese art, Beauté Congo: Congo Kitoko, 1926–2015, at Fondation Cartier in Paris, 11 July – 15 November 2015. Katembo said of his work that photography provided
‘a way of seeing beyond reflection as it opens up a poetic window on another world, the world in which I live. I want each image to tell of the children born here who have to grow up surrounded by pools of water, and of the families who survive while others leave to live in exile. To me, this is one way of campaigning for a healthier environment and to denounce through images what Kinshasa’s inhabitants see as fate.’
Subir, the title of Katembo’s photograph above, means to endure, to suffer, to undergo or go through. Katembo captures people’s struggles against structural violence in the photographs he takes of reflections in puddles on the streets of Kinshasa (and displays upside down for greater effect). Silent killers like hunger, thirst, disease and poverty are the invisible manifestations of structural violence.
Katembo himself succumbed to the silent violence of cerebral malaria at age 36, within a month of the opening of the prestigious exhibition in Paris. Malarial mosquitoes breed in pools of water on streets with no drainage, in slums with no sewerage systems. Malaria is among the top ten killers in Congo, a silent epidemic that foreshortens the lives of tens of thousands every year.